Tag Archives: Kedington

Kedington Parish Church

IMG_1357Similar to many mediæval churches, Kedington Parish Church in Suffolk looks fascinating from the outside positioned as it is up an incline and visible from some distance, but it is the inside that really makes it into a gem. So many layers of history and changing times are still in evidence to be seen.

 

 

IMG_1358Outside the church tower is buttressed and its height at fifty-eight feet emphasises the low roof of the nave. To the left of the one-handled clock (made in 1729 and restored in 2010) is an interesting cinquefoil insert, and the variety of materials used for the building are well shown here – dressed stone, knapped flints, brick, and pebbles.

 

 

 

 

IMG_1359Centuries of footfall have worn away the doorstep shown clearly here with an obvious dip at the entrance to the church. The carved porch and wooden door – with its smaller door opening – give hints of what is to be seen inside.

 

 

 

 

 

IMG_1414And here it is – the nave and chancel inside the church. Wooden pews os various designs line the central aisle with hatchments between the arches. The canopied boxed pew to be seen on the left at the front of the nave is that for the Barnardiston family.

 

 

 

 

IMG_1362 IMG_1363This manorial pew of this Barnardiston family is quite something! With its own roof and carved and decorated arches it really would have indicated to the parishioners who were the important people in the parish. There are two compartments here with their own doors together with hat pegs and a book box.

 

 

At least three layers of paint were removed to show some of the original fifteenth-century paintings of foliage, dragons and faces amongst other things.

 

 

 

 

IMG_1392At the back of the church are benches for girls and boys. These are for the boys and have pegs for hanging their caps. Those for the girls are at the other side of the church. The master would have supervised the boys and the dame the girls. They don’t look that comfortable to sit on for long services! At the top is a wooden bier from the seventeenth-century used for carrying coffins at funerals.

 

IMG_1393The pulpit is an unusual three-story seventeenth-century pulpit with Jacobean carving. There are six steps leading to the very top where the sermon would be preached. Note the canopy and the backboard ensuring that the preacher wasn’t affected too much by the draughts. The three tiers usually represent the relative importance of the readings with the lowest tier for the parish clerk, the middle tier providing a reading desk for the minister and the top tier for the sermon.

 

 

 

IMG_1394These are the steps to the middle tier with its circular platform and the fine carvings at the front can be seen.

 

 

 

 

 

 

0778F627-4907-4E8E-859E-0EBA4BF24EE1_1_105_cThe old alms box is a replica of what was an old tree trunk which had been hollowed out and sunk into the floor.

 

 

 

 

 

 

FA0EACD2-5840-405B-947F-9842D5316756_1_105_cThe most impressive Barnardiston monument is possibly this one for Sir Thomas Barnardiston, lying in armour on a tomb chest (1610) and his two wives who are kneeling in prayer facing one another. Mary, his first wife is on the left and Katherine his second wife has a very fine ruff. Note the three skulls depicted either side at the top of the pillars.

There are also marvellous hatchments in the church but they are for another post!

Kedington Roll of Honour

IMG_1073All commissions present challenges, which is the joy of doing them, but some do create more than others! Such was the case with the Kedington Roll of Honour. This was to be a record of the the airmen who died and the few who survived in air crashes at Kedington in Suffolk, just before and during the Second World War, and forms part of the Kedington War Memorial. There were five dates that needed to be recorded with differing numbers of names and the amount of information. It was very difficult to get a balance between the lists and placement of them took some time. However, the best layout for the names left a large hole in the middle at the bottom.

IMG_1075I had been asked to incorporate flowers and shrubs relating to the places where the airmen came from which seemed to be the answer in filling this space, but getting a balance between the colours and sizes of the flowers etc was a challenge. It was also necessary in this balance to have the flowers and shrubs placed where they would grow in nature – prairie crocuses and daffodils at the bottom, thistles and lupins in the middle, and oak and maple ‘trees’ at the top for example. I tried many different shapes and designs for this, balancing the colours as part of the design. Initially I thought that a much freer shape, with branches and leaves extending beyond the main body of the vegetation would be better, but the extensions drew the eye too much. It was important to include all these elements but the shape, colour and detail should not then dominate; the names of the airmen are the most important part and nothing should detract from them.

IMG_0943As usual, the very first task was to experiment to decide on the size of nib, which determines the size of the lettering, for each of the sections, and then write everything out. Having done that, colour was introduced to elements of the lettering, including mixing a blue similar to that of Air Force blue. I then cut the names and information up into separate lines and placed them in order, attaching them to a large sheet of paper, and spacing the lines so that they weren’t too far apart, nor too close. Here everything has been laid out in rough and I am using two large L-shaped pieces of grey card to determine the margins before I ordered the vellum.

 

IMG_1077However, I wasn’t happy with the design. It didn’t seem to hang together and I couldn’t work out exactly what needed to be done. I researched various links with Kedington and Suffolk and found out that cowslips are the county flower. Suddenly I had an idea and after a few experiments then it all seemed to come together. I painted some cowslips of various sizes and in various groupings to determine the exact format and size. In rough the whole design was pulled together by a simple line of cowslips painted so that they looked as if they were growing in a Suffolk meadow. I thought that this could represent the Suffolk countryside where those who had sadly died were now buried – the oval design of flowers above representing them when they were alive – above the ground. The final touch was a small bunch of cowslips at the bottom of the panel, tied with a piece of brown string, just the sort of thing someone might pick from the countryside and hedgerows and place on the grave of an airman during the war.

IMG_1078It was a beautifully creamy-white piece of vellum, but the design was too large for me to stretch the skin over wood first, so everything was written and painted before stretching. I treated the skin, marked out the spacing and ruled the lines. I then set to writing the title, headings, names etc and the information at the bottom. Lastly the painting was done mainly in watercolours. Both the writing and the painting sat very well on the treated skin – it was a beauty!

I hope that this Roll of Honour in its frame sits appropriately with the actual Kedington War Memorial cast in bronze.