What a wonderful group of eight budding illuminators-to-be there was for this year’s intensive Tools, Techniques and Materials of Mediæval Manuscripts three-day course in May. It is always interesting to see how eight different people, complete strangers, from different parts of the UK and the world will react when spending three days together. I have been so lucky in that everyone who comes on my courses has been really nice – and so it proved to be this time!
It takes quite a long time to get the rooms ready. The furniture has to be arranged, and then all the tools and equipment set out for each individual – well over 30 individual pieces of equipment. No-one has to bring anything with them – it’s all provided. I do this for three main reasons. It is very expensive buying vellum, books of gold leaf, sets of paints, and fine kolinsky sable brushes. If someone is doing this only once, it is a lot of cost, which could be seriously off-putting! Then, for those coming long distances and even from overseas, buying all the correct stuff is not easy and carrying it long distances on public transport is also a challenge. Lastly, and this is from experience of many, many years, it is so important to have the right tools and materials – too low a gold level in leaf gold means that it will not stick to itself, a old burnisher that someone has found in a drawer may be scratched and ruin the gold, and new scissors bought cheaply will make the gold leaf tear. It really is a case of, quite rightly ,a workman blaming his tools when things don’t go well!
But the results were amazing as you can see. Gesso well laid, gold attached and burnished to a bright shine, and miniatures painted well.
Here are the results and comments from those on the course, although comments are not necessarily next to the image completed (by the way, the images may be a bit skewwhiff because I wanted to make sure the brilliance of the gold was captured).
Amazed at what I’d learnt on the first day. I thought we had a lot to do, and we did, but Patricia had timings meticulously planned, and we finished. it was extremely good value for such an in depth course (and most memorable).
Your help and advice at all stages have been very welcome; thank you for your encouraging words throughout the course. So glad to have attended. I have learned a great deal and particularly enjoyed using gesso. Absolutely fantastic. Thank you.
Superb! I’ve learned so much and will definitely experiment with techniques in the future, Unique and top quality training with plenty of inspiration for future explorations. Very clear, easy to follow and clearly based on practical experience. Brilliantly pitched.
I just want to say what a wonderful experience this has been – absolutely perfect for me! Thank you so much for your wonderful warmth and hospitality (well beyond what the course would require to be a success).
Perfectly paced and really fun, learned so much, quill making amazing. Patricia you are wonderfully encouraging and positive, Loved the gesso and gilding. Tremendous! Wish I could have stayed for a week.
I was so looking forward to it, but the course was so much more than I could have expected, The learning was wonderful, and I cannot thank you enough for all the effort you put in to make it an amazing experience. Excellent! Repeats, great demonstrations, you are a wonderful teacher! All my thanks.
I loved the fact that you walked us through the details of all the supplies we used, where they came from and how they are made. It was an amazing experience, I have learned so much more than I had hoped to. Patricia, you are a very generous teacher and person. I am so glad I signed up for this workshop.
Courses are held in Kent, UK, about 35 minutes by train from London. They are run usually the third weekend (plus the Friday) in May, and details are sent out in my free online monthly newsletter. The courses fill up very quickly, so if you are interested, do book your place as soon as it’s advertised!