Tag Archives: Stanford University Calligraphy Collection

Stanford University Calligraphy Collection – Susie Leiper

From ‘Bheinn Naomh’ by Kathleen Raine, Chinese ink and graphite on Chinese paper, 45 x 30 cm, £750 $1000

Entries are coming in for the Stanford University Calligraphy Collection, so if you’re a calligrapher or hand letterer at the top of your game, don’t miss out on being part of this amazing new collection of the best of the world’s calligraphy (in the western alphabet style – at the moment!). You can apply here. The latest work that’s been received has been from UK artist and calligrapher Susie Leiper. Her style is free, creative and precise, and her work has an energy and vitality to it as can be seen here.

 

 

And here:

Dry lightning

From ‘Demons and Men’ by Robert Bringhurst

Ink and resist on Chinese paper, 30 x 17.5 cm

 

 

 

Susie makes the most delightful books, full of invention and surprise. Here the use of colour, shapes and lettering are not only fascinating and intriguing but beautifully executed.

Vision of a city

Text from Ezekiel 40 – 48, King James Bible

Artist book: oil, graphite and casein paint on card; silk covers,

21 x 9 cm closed

Close up here:

 

 

 

 

 

 

And then this is:

A sense sublime

From ‘Tintern Abbey’ by William Wordsworth

Oil, casein paint and ink on board, 66 x 67 cm

 

 

With a detail here:

 

 

 

 

 

 

 

It is wonderful that supreme artists such as Susie are part of this incredible Collection and the plan is that all will be online. But, again, if you’re at Susie’s standard, make sure you don’t miss out in being included.

The Stanford University Calligraphy Collection and Gemma Black

The Stanford University Calligraphy Collection is a remarkable initiative by Dr Benjamin Albritton in creating a unique collection of the calligraphy and lettering of the best calligraphers in the world. This collection is particularly significant because it is at one of the most prestigious universities already known for its focus on letters and lettering in all forms. This is truly an amazing project and all calligraphers and letterers at the top of their game are invited to take part; details here. One of those who has completely embraced this project is one of the prestigious judges, Gemma Black from Australia.

One of her ambitions since early days has been to write out the United Nations Declaration of Human Rights. This was a daunting task, but in her characteristic inspiring manner Gemma produced a series of stunning separate pages, each page devoted to one declaration.

 

 

 

 

She devised a particular and unique style of letterforms, majuscules, or capital letters, with elements of Uncials, producing a rhythm and flow to the written sections. The text is remarkably legible despite the lines touching with no space between them and with letters nested or sharing strokes.

 

 

 

 

The illustrations consist of ‘figures’ of differing heights and shapes in various subtle colours placed on a straight line with a delicate wavy shape below. These tie the whole series of separate sheets together into one harmonious whole. Gemma is shown here; behind her the series of individual declarations have been hung creating what must have been a wonderful exhibition.

To see more of this amazing body of work, click here, and here.