Tag Archives: Stanford University Calligraphy Collection

Stanford University Calligraphy Collection – Mary Noble

Everyone associated with the Stanford University Calligraphy Collection was delighted when UK Calligrapher, Mary Noble, donated three of her artworks to the growing Collection. Mary is a calligrapher at the top of her game and specialises in innovative lettering as well as beautifully written brush lettering as shown here with ‘Et Semel …’, a Latin quotation written by Horace.

Mary’s thoughts behind producing this piece were: ‘My love affair with Rustics drew me to seek an appropriate Latin quotation that would feature all my favourite letters! As I had recently witnessed words said then regretted, this quote was perfect. The pencil translation is in Rustics-inspired letterform focusing on the strong diagonals.’

Mary’s writing can also be free and expressive as here in this quotation by John Muir. Using a ruling pen and a pointed nib, the word ‘Wilderness’, as Mary writes, required a very free form to the lettering.

She says about this piece: ‘John Muir’s outlook on life and all living things always encourages hope, and at more than a century after his death they are potent reminders of what we may lose. the word ‘wilderness’ demanded free interpretation, grounded by the contrasted line of text. The gold is to hint at secrets to be enjoyed in nature.’

Mary’s third piece – ‘What do you do for your soul?’ – shows a different approach again. Using her favoured brushes, and this time with a lead pencil as well, Mary writes that she enjoyed making every letter!

‘I was posed this question some years ago by Sue Cavendish, who was quoting a past friend in the calligraphy world. It gave me pause to think, and to enlarge the thought with the later-found proverb – ‘the desire accomplished is sweet to the soul’. Assembling this composition was my response to the question, as I enjoyed making every letter.’

We are all delighted that we have such excellent and different work from a truly inspiring calligrapher and are pleased that her work is represented in this most prestigious Collection which goes from strength to strength.

Stanford University Calligraphy Collection – Susie Leiper

From ‘Bheinn Naomh’ by Kathleen Raine, Chinese ink and graphite on Chinese paper, 45 x 30 cm, £750 $1000

Entries are coming in for the Stanford University Calligraphy Collection, so if you’re a calligrapher or hand letterer at the top of your game, don’t miss out on being part of this amazing new collection of the best of the world’s calligraphy (in the western alphabet style – at the moment!). You can apply here. The latest work that’s been received has been from UK artist and calligrapher Susie Leiper. Her style is free, creative and precise, and her work has an energy and vitality to it as can be seen here.

 

 

And here:

Dry lightning

From ‘Demons and Men’ by Robert Bringhurst

Ink and resist on Chinese paper, 30 x 17.5 cm

 

 

 

Susie makes the most delightful books, full of invention and surprise. Here the use of colour, shapes and lettering are not only fascinating and intriguing but beautifully executed.

Vision of a city

Text from Ezekiel 40 – 48, King James Bible

Artist book: oil, graphite and casein paint on card; silk covers,

21 x 9 cm closed

Close up here:

 

 

 

 

 

 

And then this is:

A sense sublime

From ‘Tintern Abbey’ by William Wordsworth

Oil, casein paint and ink on board, 66 x 67 cm

 

 

With a detail here:

 

 

 

 

 

 

 

It is wonderful that supreme artists such as Susie are part of this incredible Collection and the plan is that all will be online. But, again, if you’re at Susie’s standard, make sure you don’t miss out in being included.

The Stanford University Calligraphy Collection and Gemma Black

The Stanford University Calligraphy Collection is a remarkable initiative by Dr Benjamin Albritton in creating a unique collection of the calligraphy and lettering of the best calligraphers in the world. This collection is particularly significant because it is at one of the most prestigious universities already known for its focus on letters and lettering in all forms. This is truly an amazing project and all calligraphers and letterers at the top of their game are invited to take part; details here. One of those who has completely embraced this project is one of the prestigious judges, Gemma Black from Australia.

One of her ambitions since early days has been to write out the United Nations Declaration of Human Rights. This was a daunting task, but in her characteristic inspiring manner Gemma produced a series of stunning separate pages, each page devoted to one declaration.

 

 

 

 

She devised a particular and unique style of letterforms, majuscules, or capital letters, with elements of Uncials, producing a rhythm and flow to the written sections. The text is remarkably legible despite the lines touching with no space between them and with letters nested or sharing strokes.

 

 

 

 

The illustrations consist of ‘figures’ of differing heights and shapes in various subtle colours placed on a straight line with a delicate wavy shape below. These tie the whole series of separate sheets together into one harmonious whole. Gemma is shown here; behind her the series of individual declarations have been hung creating what must have been a wonderful exhibition.

To see more of this amazing body of work, click here, and here.